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In his mini-review for the Chicago Tribune, he opened by spoiling the film’s surprise ending in an effort to dissuade potential viewers from seeing it.
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Perhaps the most infamous takedown on Friday the 13th came courtesy of Gene Siskel. Cedrone felt the film would be bad for sex education, stating that impressionable youth would walk away thinking “sexual intercourse is inevitably followed by a cut throat or an ax in the face.” Writing for The Evening Sun, Lou Cedrone called the slasher a “shamelessly bad film, but then Cunningham knows his audience,” implying the director was intentionally targeting kids with filthy cinematic trash. Pennington wasn’t a fan of the extreme violence and ultimately concluded that “there is nothing to recommend about this ghastly effort.” Ron Pennington described the film as “a sick and sickening low budget feature” in his review for The Hollywood Reporter.
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Variety‘s unnamed critic chastised the film for having “no apparent talent or intelligence to offset its technical inadequacies.” In the end, they felt it was “low-budget in the worst sense,” unable to muster “even vague suspense” or build a “modicum of tension.” Our very own Rob Hunter ranked them just four years ago (he put forth an admirable effort, but his ranking is terribly wrong, in my opinion).Ĭertainly, a film this popular with lasting power received rave reviews, right? Well, not exactly. At the very least, it’s the most ranked horror franchise to ever exist. Not only did it perform well at the box office, but it spawned 10 sequels and one reboot to become arguably the most beloved horror franchise of all time. Cunningham used the Halloween template but upped the graphic violence with the assistance of the legend that is Tom Savini, and thus Friday the 13th was born.Ĭunningham’s film was a massive hit. Cunningham, who partnered with writer Victor Miller to craft a tale about a group of summer camp counselors who are brutally murdered as they prepare to reopen a long-abandoned camp. None did a better job than director Sean S. How did critics feel about it at the time, and do we see it differently now? Chris Coffel explores.įollowing the success of John Carpenter’s Halloween, many filmmakers attempted to cash in at the box office by mimicking the landmark slasher. Red carpet photo opportunity before and Q&A after the premiere.They Said What?! is a biweekly column in which we explore the highs and lows of film criticism through history. SEE IT: Jason Rising screens at Hollywood Theatre, 4122 NE Sandy Blvd., 50,. You get to play with the toys.” You just swing for the fences with it and hope it goes over. My editor and cinematographer Karl Whinnery says, “I don’t know why you’d do anything but a horror film if you’re making a movie. Is part of the joy of making a fan film embracing a beloved formula? The fact that we were able to have some of Robert in the film meant a lot to me. That was a long, cold night but a fun effect. I wanted to amp that up, so we did the one where Jason chops off the arm and beats to death with the arm. Robert wanted a blunt-force trauma kill where the skull gets dislodged from the spine.
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#Why is friday the 13th film called that? full
They were all challenging, I know that! Christina Kortum from Ravenous Studios, who’s an amazing makeup artist, did a full life cast of Jason Reynolds, one of our actors. Is there an effect in the film you’re most proud of? I’m a big fan of The Evil Dead as well, which is why I wanted black blood instead of red. But I didn’t necessarily want the Part VI zombie version. Was there any particular era of Jason’s look you sought to emulate?ĭefinitely I based my Jason on Part III and Part IV, the Richard Brooker-Ted White look.